Like many among us, I am not accustomed to paying for a music player. I am happy with iTunes and Winamp in both Windows and Mac. Still, if you are looking forward to pushing the boundaries in playback quality and revolutionary user interfaces, there are a handful choices available in front of us.
Playback of popular lossy formats like MP3 has never been a problem. But when it comes to lossless formats like FLAC, Ogg Vorbis etc. the choices get limited. Decibel is an audio player tailored to the particular needs of audiophiles and promises no discrimination when it comes to lossy or lossless audio formats. Follow me after the fold to check out what’s in store.
Since being introduced in 2001, iTunes’ features have expanded well beyond its name. Once a simple music player, it has evolved beyond the realm of tunes and into a hub for just about all the media on our Macs. It also features an enormous digital content store, and is the program responsible for syncing all of that stuff to our iDevices. Many users, like myself, have complained for years that the expanding features of iTunes have let it become a bloated piece of software.
Tomahawk is an open-source media player that cuts out some unnecessary iTunes bloat, while trying to create some more relevant functionality in the important area of actually playing music. Do its features make it a viable iTunes replacement on your computer, or is it just another mundane addition to an already oversaturated market of iTunes alternatives?
If you are a fan of Last.fm’s scrobbling service, like me, you’ve probably not been quite satisfied with the official app that has been around for quite some time now. Instead, you might have tried your luck with plugins or third party apps like Bowtie that allow you to scrobble without having to deal with the official app.
All that’s (hopefully) about to change with the new Audioscrobbler for Mac, which is in beta right now. Want to check it out? Let’s take a look!
Online streaming, subscription based music delivery services are making an attempt to become the golden ticket solution for music lovers everywhere. Having access to a gigantic library of music is well worth the subscription fee for a lot of people and as the music libraries of these services grow they continue to gather steam.
The two big competitors in this field right now are Rdio and Spotify. Rdio released a major interface update recently that is a big step forward to separate itself from Spotify (only paid subscribers get a sneak peek). The interface changed substantially for the better with new features added and others more prominently placed. Not only is the update quite beautiful, it makes discovering new music an even more social experience. Let’s take a spin through the new Rdio.
For countless years the use of vinyl dominated the DJ market. In the late 90s the use of CDs became more widespread as Pioneer launched the very successful CDJ CD player which offered many of the advantages of vinyl without quite so many drawbacks. In recent years the use of digital DJ software has become much more prevalent as more and more of the CD faithful turn their backs on the format and embrace digital software.
There are many options out there, from Serato Scratch Live vinyl emulation software to Ableton Live down to open source alternatives such as Mixxx which I reviewed in a previous article. In this article however I will comparing two front runners of the digital DJ world – Atomix’s Virtual DJ Pro 7 and Native Instrument’s Traktor Pro 2. If you only choose one, which one should it be? Read on to find out.
This post is part of a series that revisits some of our readers’ favorite articles from the past that still contain awesome and relevant information that you might find useful. This post was originally published on March 16th, 2011.
We all love our phones, and often try to express ourselves through them. While it’s fairly easy to do so via individual backgrounds, creating ringtones isn’t quite that simple. Of course, there’s GarageBand which can be used for this purpose, but isn’t there an easier way?
Indeed there is. Today we will introduce 4 different apps available on the Mac App Store which enable you to quickly and easily create ringtones for your iPhone. Meet Ringtones, Ringer, i Am Ringer and iRingtones!
When iTunes was first released, it quickly impressed users with its intuitive interface and extensive feature list, soon becoming the standard music app not only for Mac users, but many Windows users as well. Though it started out strong, the constant addition of new features and subsequent decreases in performance have left many dissatisfied users complaining of sluggishness and feature bloat.
Enqueue is one of several new apps attempting to offer an alternative to iTunes for frustrated Mac users, offering a simplified experience, better performance, and improved features. Let’s find out if it delivers!
The market for DJ software has never been bigger, as more and more bedroom DJs shun purchasing traditional equipment such as turntables and CDJs in favour of the more accessible and cheaper software option. As a DJ who got into the hobby through the use of software, I’m always on the lookout for new programs that boast an impressive range of tools, while still remaining affordable for newcomers to DJing.
Mixxx, an open source digital DJ app that started life way back in 2001 as a university project has recently become a hot topic among computer DJs following the 1.10.0 release in December, which added a number of features that until recently were only found on more expensive DJ software such as Traktor and Virtual DJ.
Audio recording and editing on the Mac can seem like an pretty daunting task. Many of the available tools are extremely powerful, but as a result, too complex for the average user. Piezo, the little brother of Audio Hijack Pro, a favorite among podcasters and broadcasters, hopes to change that by focusing solely on recording audio from any application on your Mac, forgoing any addition features. With its extremely simple interface, invaluable utility, and affordable price tag, can it be the David to the audio recording Goliaths? Read on.