I take a lot of pictures — not just professionally, but also for fun. That being said, I don’t think there’s such a thing as a “perfect” image editor. I’ve tried everything over the years, some of which I’ve reviewed here on Mac.AppStorm, but I have yet to run into one tool that can singlehandedly replace all the others.
But when MacPhun, the folks behind Snapheal, reached out to me, I was intrigued. Their newest app, Intensify Pro, looked like it could be a real game-changer, and I was eager to put it through its paces. Read on to find out if Intensify really brings anything new to the table.
I don’t know why I keep looking at new photo editors. I’ve got a great system of my own here with Aperture, which is my preferred tool. If I felt like drifting into the Adobe world, Lightroom is fantastic (check out my review here on Mac.AppStorm of Lightroom 5). And while I love Pixelmator, there’s nothing wrong with Photoshop or Acorn either — they’re all great.
So what was it about TouchRetouch that made me curious? There was an implicit promise of ease of use that drew me too it, but more than that, its successful mobile apps prompted me to wonder what the Mac version would be like. Read on for my thoughts.
I do a fair bit of photo editing — everything from screenshots to engagement and wedding shoots — and there are some things that take way too long to do in Photoshop or any of its equivalents. One of those things is collages. Another one is setting up a background image.
In Photoshop, you’d have to create a background layer, adjust the colour, adjust the size of your next layer, and drag them around until it fit right. That’s great if you’re really particular and know exactly what you’re looking to do. But sometimes, you just want a really cool and quick way to show off your weekend at the beach. And you want it to take about ten seconds from conception to Facebook sensation. This is where Diptic comes in.
When it comes to editing photographs on OS X, Apple users are quite spoilt for choice. Those who just want to remove those ghastly devil eyes from their holiday snaps and turn them into a fancy scrapbook for the rest of the family to coo over can use iPhoto, part of the iLife package, which is bundled in with all new Macs. Photographers looking for a few more advanced features often turn to Apple’s offering, Aperture, or Adobe’s Lightroom — both offering a feature set that keeps most semi-professional and professional photographers happy.
You’ll notice my use of the word “often” in the above paragraph — this is because that for most, Aperture and Lightroom seem to be the de facto options. Funnily enough, there are other professional photographic programs out there for Mac users that offer a feature set that rivals both Aperture and Lightroom. To see whether this statement was true or not, I took a look at Capture One Pro, from Danish developers Phase One. What is interesting about these guys is that they are both a hardware and software manufacturer — the company sells camera bodies for professional use and lenses to match — much like Nikon does with its Capture NX 2 software.
Let’s see whether Capture One Pro lives up to the reputation of Aperture and Lightroom and, perhaps more importantly, if it is worth that €229 ($300) price-tag.
Apple’s best known for its devices and the operating systems that make them shine, but it also has quite the variety of professional software that it produces as well. This week saw Apple unveil its brand-new Logic Pro X, which by all accounts is a great upgrade to Apple’s professional music production tool — but Apple makes far more than just that.
Perhaps most commonly seen on Macs and iOS devices is Apple’s consumer media apps — iPhoto, iMovie, and GarageBand — that used to make up iLife, but since they come free on all Macs anyhow and aren’t really aimed at pro use, those don’t count for this list. But let’s include the iWork apps — Pages, Keynote, and Numbers — which compete head-to-head with Microsoft Office and can definitely stand for a decent amount of professional use. Then, there’s Aperture, which is the best competition for Adobe’s Lightroom, and Final Cut Pro, one of the top professional film editing apps. There’s also the companion apps — Motion, Compressor, and MainStage — that take them further.
I love the iWork apps, and others on our team love Logic Pro, Aperture, and Final Cut Pro. We’d love to know which of these you use in your work!
I’m always a little bit bemused when I see reviews characterizing one app as the absolute best compared to another. I’ve been writing software reviews for a while now, and I’ve been a tech junkie for a significantly longer period of time. I’ve learned that there is rarely such thing as an absolute proof in the software world. In fact, there are usually compelling reasons to use as many apps you can get your hands on.
Photo management and editing software is the perfect example of this. I like Aperture and Lightroom — I recently gave Lightroom 5 a glowing review here at Mac.AppStorm. Professionals are also divided: Many use Aperture, but many others use Lightroom. There is no clear winner, and since the programs are mostly mutually exclusive, I decided to do a ton of workflow comparisons and some sleuthing to see if I could make them work together. (more…)
Lightroom 4 was the gigantic leap in image development that really set Lightroom ahead of the Aperture curve for many Mac users. It was a tremendous update, and just over a month ago, Adobe followed up with Lightroom 5 and is jumping ahead of the curve again.
I still use Aperture, which I find fits better into my workflow, but I always want to try the latest and greatest to see if it’s worth switching. And Lightroom 5 is tremendously tempting — check out a sample list of the new features. Let’s take a look at it to see what extra power under the hood it brings both seasoned pros and hobbyists. (more…)
At any time you care to look, the App Store’s Photography chart is filled with image editors. Editing, however, is only part of the digital processing workflow – nearly all of us organize, and make minor adjustments to, our images with an all-in-one library app such as Lightroom, Aperture, or Capture One, some time before any image editor gets a look-in. Yet for some reason, the range of apps available to perform this archiving role is very small, and the theme shared by all of them is a premium price-tag.
In spite of this lack of choice and the expense associated with purchasing a library app, the open source community hasn’t felt the need to develop its own alternative. Or at least that was the case until darktable arrived. Put together by a team of photographer-coders, darktable shares many features with its more expensive competitors – multiple image sorting options, tethered shooting and a suite of editing options – but is it in the same league?
Hot and fresh off the presses, here’s Mac AppStorm’s weekly news roundup.